Skylark

Jim Crumley

Jim Crumley is the author of more than forty books, mostly on the wildlife and wild landscape of his native Scotland, many of them making the case for species reintroductions, or ‘rewilding’.

His Seasons series, a quartet of books exploring the wildlife and landscapes and how climate change is affecting our environment across the four seasons, is highly acclaimed.  The Nature of Autumn was longlisted for the Wainwright Golden Beer Book Prize 2017 and shortlisted for the Richard Jefferies Society and White Horse Bookshop Literary Prize 2017. The third in the series, The Nature of Spring, was Radio 4’s Book of the Week. The Nature of Summer, was shortlisted for the 2021 Highland Book Prize. 

The Eagle’s Way was shortlisted for a prestigious Saltire Society award, and his Encounters in the Wild series – which sees Jim get up close and personal with Britain’s favourite animals – has found him many new readers. He has written about the return of the beaver to the UK’s wetlands in Nature’s Architect, and his most recent title is Lakeland Wild, his first to focus entirely on an English landscape. Lakeland Wild was longlisted for the 2022 Lakeland Book of the Year prize.

Jim is also a poet, an occasional broadcaster on both radio and television and a widely published journalist who wrote columns for the Dundee Courier for many years and has a monthly column in The Scots Magazine.

Skylark

by Jim Crumley

  • RRP: £10 (print)
  • Format: Hardback
  • ISBN: 9781910192634

BUYING OPTIONS

Buy Skylark

In the Encounters in the Wild series, renowned nature writer Jim Crumley gets up close and personal with British wildlife: here, the skylark. With his inimitable passion and vision, he relives memorable encounters with some of our best-loved native species, offering intimate insights into their extraordinary lives.

“Watch this bird poised on a tussock, awaiting 
a signal from the wind, a thumbs up, an urging gust. Lift-off is gently inclined and silent. The transformations from gentle incline to vertical columnar flight, and from silence to song, coincide within a few airborne seconds, a few feet of ascent. The song is full-throated from the first note, as self-confident as the opening bars of Beethoven’s Fifth or Armstrong’s West End Blues. There is no preamble, no subtle dropped hint of the glories to come. The glories start with the downbeat.”

REVIEWS OF Skylark

“Enthralling and often strident.” Observer