Graeme Macrae Burnet
Born in Kilmarnock, Graeme Macrae Burnet is among the UK’s leading contemporary novelists, having achieved both critical acclaim and best-selling status around the world. He lives in Glasgow, where he studied film and English literature. After teaching English overseas and working as a researcher in the television industry, he won a Scottish Book Trust New Writers Award in 2013 and now writes full-time. He is best known for his dazzling Booker-shortlisted second novel, His Bloody Project. Graeme is also the author of two French-set detective novels: The Disappearance of Adele Bedeau (2014) and The Accident on the A35 (2017). Case Study is his fourth novel and was longlisted for the 2022 Booker Prize.
LONGLISTED FOR THE BOOKER PRIZE 2022
SHORTLISTED FOR THE GORDON BURN PRIZE 2022
“A page-turning blast, funny, sinister and perfectly plotted … Rarely has being constantly wrong-footed been so much fun.” James Walton, The Times
“Very funny … engrossing.” Guardian
“Brilliant, bamboozling … burstingly alive and engaging.” Telegraph
“Compelling … I was hooked like a fish.” Spectator
‘I have decided to write down everything that happens, because I feel, I suppose, I may be putting myself in danger.’
London, 1965. An unworldly young woman believes that a charismatic psychotherapist, Collins Braithwaite, has driven her sister to suicide. Intent on confirming her suspicions, she assumes a false identity and presents herself to him as a client, recording her experiences in a series of notebooks. But she soon finds herself drawn into a world in which she can no longer be certain of anything. Even her own character.
In Case Study, Graeme Macrae Burnet presents these notebooks interspersed with his own biographical research into Collins Braithwaite. The result is a dazzling – and often wickedly humorous – meditation on the nature of sanity, identity and truth itself, by one of the most inventive novelists writing today.
From the author of the Booker Prize-shortlisted His Bloody Project. www.casestudyGMB.com
Prizes and awards
SHORTLISTED: GORDON BURN PRIZE 2022
LONGLISTED: THE BOOKER PRIZE 2022
SHORTLISTED: NED KELLY AWARD 2022
LONGLISTED: HWA GOLD CROWN 2022
REVIEWS OF Case Study
“Such is Burnet’s skill that he immediately convinces the reader that everything he is about to say is based on historical fact … brilliantly depicted … intriguing … compulsive reading.” John Boyne, Irish Times
"Consistently inventive, caustically funny and surprisingly moving, this is one of the finest novels of the year.” Christian House, Financial Times
“You’ll be completely beguiled by this sly, darkly comic offering, with its unreliable narrator and its equally unreliable author.” Neil Armstrong, Mail on Sunday
“Sinister, darkly compelling and well-plotted, with an elegant twist. Truly compelling.” Jane Shilling, Daily Mail
“Brilliant, bamboozling … Burnet captures his characters’ voices so brilliantly that what might have been just an intellectual game feels burstingly alive and engaging.” Jake Kerridge, Telegraph
“What’s real and what’s not is beside the point in this skilful portrait of a disturbed woman and her encounters with an experimental 1960s psychotherapist … Both strands quickly become compelling … I was hooked like a fish.” Leyla Sanai
“Ingenious … a mystery wrapped in a riddle with as many questions as answers.” Stephen McGinty, Sunday Times
“Forensic, elusive and mordantly funny … layered with questions about authenticity and the self.” Booker Prize judges
“Burnet’s triumph is that it’s a page-turning blast, funny, sinister and perfectly plotted so as to reveal — or withhold — its secrets in a consistently satisfying way … Rarely has being constantly wrong-footed been so much fun.” James Walton, The Times
"Enormous fun … a mystery and a psychological drama wrapped up in one. Case Study is a triumph." Alex Preston, Observer
"Caustically funny and surprisingly moving, this is one of the finest novels of the year." Christian House, Financial Times
"A riveting psychological plot ... tortuous, cunning ... clever." Kate Webb, The Times Literary Supplement
'Encourages us to look more closely at the inherent instability of fiction itself … genuinely affecting … a very funny book.' Nina Allan, Guardian