LONGLISTED FOR THE BOOKER PRIZE 2022
SHORTLISTED FOR THE GORDON BURN PRIZE 2022
“A page-turning blast, funny, sinister and perfectly plotted … Rarely has being constantly wrong-footed been so much fun.” James Walton, The Times
“Very funny … engrossing.” Guardian
“Brilliant, bamboozling … burstingly alive and engaging.” Telegraph
“Compelling … I was hooked like a fish.” Spectator
‘I have decided to write down everything that happens, because I feel, I suppose, I may be putting myself in danger.’
London, 1965. An unworldly young woman believes that a charismatic psychotherapist, Collins Braithwaite, has driven her sister to suicide. Intent on confirming her suspicions, she assumes a false identity and presents herself to him as a client, recording her experiences in a series of notebooks. But she soon finds herself drawn into a world in which she can no longer be certain of anything. Even her own character.
In Case Study, Graeme Macrae Burnet presents these notebooks interspersed with his own biographical research into Collins Braithwaite. The result is a dazzling – and often wickedly humorous – meditation on the nature of sanity, identity and truth itself, by one of the most inventive novelists writing today.
From the author of the Booker Prize-shortlisted His Bloody Project. www.casestudyGMB.com
Prizes and awards
LONGLISTED: GORDON BURN PRIZE 2022
LONGLISTED: THE BOOKER PRIZE 2022
REVIEWS OF Case Study
“Burnet’s triumph is that it’s a page-turning blast, funny, sinister and perfectly plotted so as to reveal — or withhold — its secrets in a consistently satisfying way … Rarely has being constantly wrong-footed been so much fun.” James Walton, The Times
"Enormous fun … a mystery and a psychological drama wrapped up in one. Case Study is a triumph." Alex Preston, Observer
"Caustically funny and surprisingly moving, this is one of the finest novels of the year." Christian House, Financial Times
"A riveting psychological plot ... tortuous, cunning ... clever." Kate Webb, The Times Literary Supplement
'Encourages us to look more closely at the inherent instability of fiction itself … genuinely affecting … a very funny book.' Nina Allan, Guardian